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"And the people were terrified, for they were
not good sailors and had no love for the water
and they milled about, contending amongst
themselves. Thus the priests said unto them: 'Fear
not the high seas nor the leviathans of the deep,
for the true danger lies here. Now will our land
turn red and black and belch smoke and sulphur
and the blood of.the earth shall pour forth. Then
will our land split asunder and hurl itself into the
fathomless caverns of the earth for all time and
the seas will wash over it like two hands clasped
together.'
"Thus spake the priests and the Majapan
listened and set themselves to build the ships of
their salvation. And they went then to their ships,
gathering up the* children and their food and
leaving all other manner of possessions behind.
And the priests took up their sacred scrolls and
left and the great wealth of the Majapan was left
behind.
"So the Majapan set out from their doomed
land, which already burned at its heart with the
ending of the Old Time, and they were divided by
the priests. One quarter went to the north, one
quarter to the south, one quarter to the east and
one quarter to the west.
"Thus the Majapan came to this island, this vast
jut of limestone ledge, thrusting up from the floor
of the sea. And here they founded Xich Chih, the
city of their forefathers, the true city.
"Only here were the Majapan not assimilated
into the birthing cultures of man, who spawned
upon the world like maggots. Only here the
Majapan remained unadulterated. And when they
saw the Chacmool, they knew it at once for what
it was: the personification of Tzcatlipoca."
"And now," breathed Kin Coba, her voice rich
and tremulous upon the thick air, "in the katun of
Ce-Acatl, in the dawning of the sixth age, the first
of the Majapan have returned to their sacred city,
where this night Tzcatlipoca may be reborn to
once again see His Xich Chih.
Here and there streaks of water, last remnants
of the hard rain, passed to platinum in the
moonlight. Each carved stone block was moved to
eerie caligraphy by the swift interplay of
DAI-SAN 49
light and shadow; a numinous history hewn into
each surface. It is a city of the dead now, Ronin
thought, as he followed the fleet figure of Kin
Coba through the dappled city. Perhaps time and
solitude have turned them mad, for these three,
the keepers of Xich Chih, were apparently not
Majapan. What were they, beneath the Chacmool
masks, he wondered, as he moved from shadow to
shadow, down the pyramid's side, along the bright
stone causeway. Would they, naked, resemble the
figures in the pictoglyphs which encrusted the
architecture of Xich Chih?
A dreamscape it was. Great stone heads seemed
to float in air, thrusting out as they did from
shadowed walls, immense oblique plazas with
sloping sides, crowned by crenellated tops,
endlessly tiered buildings with walls made unsolid
by the concentration of hieroglyphs.
He lost her in a shaft of deep shadow into which
she disappeared. He went after her, cautiously,
silently, the stones his enemy now, for they would
echo his pursuit if he were not careful. The path
she had been following ran beside three buildings,
along a narrow defile for perhaps another hundred
meters beyond the pocket of shadow within which
he now stood.
He was still for a moment, watching and,
perhaps even more acutely, listening for her muted
footfalls. All about him the chronicles of the
Majapan hulked mutely, savagely; a history in
stone, waiting.
Moving slowly along the defile, he caught a
glimpse of movement. But now he hesitated,
unsure whether to follow or to return to the house
on the acropolis. After a moment's deliberation, he
moved onward, swifter now that he had reached a
decision.
Down the defile and then sharply left, into a
cleft of darkness, all sight gone for long moments.
Something had changed. Abruptly, the nature of
the darkness had altered. It was at once thicker
and more expansive and he realized that he was
out from the buildings. He looked up but could see
no stars, no moon.
He heard again the muffled sound in front of
him and went on. There were trees now in patches
of deeper darkness and as his eyes slowly adjusted
to the werelight he saw that he loped through an
outthrusting of the jungle which surrounded the
city.
Now and again he thought he saw a glimmering
ahead, as of some reflected light, but always it was
rather close to the
50 Eric ~ Lustbader
ground, certainly less than two meters from the
floor of the forest. Who or what was he
following? He had had an intuition that he had
lost Kin Coba somewhere within the defile. Then
why had he come here?
The jungle gave grudgingly onto a
moon-dappled glade and he paused just outside
the lip, drenched in shadow. He heard nothing but
the whining of the nocturnal insects, the sighing of
the trees.
He went swiftly down the aisle of the clearing,
around an abrupt turning and saw, bathed in
indifferent moonlight, the black and white edifice,
strewn, collapsing, etched into the far side of the
glade.
It was set off the ropy jungle floor by pillars in
the shape of an undulating serpent in a repeating
squared off "S" shape so that each wave of its
body formed part of the foundation. It was the
first time that he had seen this creature
represented in the city. The building's central
stairway had fallen away in several places.
The building itself had twelve doorways and
over the thick lintel of each was carved the same
serpent, with plumes or wings as if it were flying.
One entire side of the building was choked with
the inevitable influx of the returning jungle.
Green moss across the steps like an unkempt
carpet.
Something flickered at the periphery of his
vision and he went closer. The white spark came
again and now he saw that before the building
stood a statue under the shadow of an
overhanging tree. As the wind swung the heavily
laden branches, a sliver of moonlight caught the
statue's top.
It was incomplete. Someone had deliberately
hacked away the head. It towered over him,
perhaps six and a half meters high.
It was a warrior.
With breastplate and high boots, thickly
muscled arms. Two scabbards hung at its waist,
one filled, the other empty. One arm was raised.
That, too, had been vandalized. It ended in a
severed wrist.
A cool wind fluttered the massed treetops some
meters away; the night insects were calling to each
other. No other sounds.
For long moments he stood staring in dumb
fascination at the statue, hearing, perhaps, some
dark, faraway call. He felt an unknown power
seeping into his body as if from the glade
DAI-SAN 61
itself or his proximity to the stone structures. Too,
he became aware of an incipient urgency.
Then he turned slowly away, into the rustling,
steamy shadows of the jungle.
He lifted his eyes for one last look.
Somewhere close, above his head, feathered
wings spread and took off into the clear, calm
night.
Outside, away from the overhanging foliage, the
vast geometrical plain was lit below the black bowl
of heaven by the full moon and the myriad dancing
stars. Away to the east, far down near the horizon,
the wide belt of thickly clustered stars stretched in
an attenuated arc. Far, far away was fragrant
Sha'angh'sei and the yellow citadel to the north,
Kamado, where the Kai-feng had already
commenced.
In the building on the north edge of the
acropolis, Ronin closed his eyes, waiting for Moichi
to return.
Angrily he stalks the corridors of a corroded,
forgotten house. The way is narrow and dark so
that he is continually forced to peer ahead in order
to guide himself. Because of this, he has no time to
look into the doorways which parade past him
mockingly on either side, although this is what he
wishes to do. Or perhaps not. But in any case, as
he strides along, his anger grows, a deep, fierce, [ Pobierz całość w formacie PDF ]
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